đź’€ GARY NUMAN [Electronic Rock]

© Moog Music


  1. GARY NUMAN➤Rip➤Pure (Extended)➤00:00:25
  2. GARY NUMAN➤What God Intended➤Savage (Songs From A Broken World) [Expanded Edition]➤00:09:01
  3. FRONTLINE ASSEMBLY➤Sex Offender➤Millennium➤00:14:27
  4. PROJECT PITCHFORK➤I Live Your Dream [Gary Numan Remix]➤I Live Your Dream➤00:22:40
  5. FEAR FACTORY➤Cars [Ft. Gary Numan]➤Cars➤00:29:29
  6. NINE INCH NAILS➤Into The Void [Filled Atmosphere]➤The Fragile Remixes➤00:33:09
  7. DEPECHE MODE➤I Feel You [Life's Too Short Mix]➤I Feel You➤00:44:30
  8. TUBEWAY ARMY➤We Have A Technica➤Replicas➤00:53:05
  9. ULTRAVOX➤Dancing With Tears In My Eyes [Special Remix]➤Dancing With Tears In My Eyes [Special Re-mix]➤01:01:07
  10. HUMAN LEAGUE➤Hard Times - Love Action [I Believe In Love] [12'' Version]➤Hard Times - Love Action [I Believe In Love] [12'' Version]➤01:11:12
  11. PET SHOP BOYS➤West End Girls [The Shep Pettibone Mastermix]➤West End Girls [The Shep Pettibone Mastermix]➤01:21:22
  12. ROBERT GĂ–RL➤Darling Don't Leave Me [Extended Version]➤Darling Don't Leave Me➤01:30:00
  13. TITAN➤Dark Rain [Feat. Gary Numan]➤Dama➤01:37:02
  14. MOTOR➤Pleasure In Heaven [Drumcell Remix] [Feat. Gary Numan]➤Pleasure In Heaven➤01:41:33
  15. GARY NUMAN➤My Dying Machine➤My Dying Machine➤01:48:18
  16. GARY NUMAN➤A Prayer For The Unborn [Den'o Edit]➤Mr. Denodeno Extended Mixes➤02:00:27

✚ Gary Numan, born Gary Webb, burst onto the scene in the late 1970s, transitioning from the short-lived punk band Tubeway Army to a groundbreaking solo career that made him the unlikely, stoic face of synthesized music in the post-punk era, forever etching his name into the foundations of electro-pop and industrial music. Drawing heavily on the stark, alienated themes of writers like Philip K. Dick and the emerging sound of krautrock and early synthesizers, Numan’s work pioneered the successful integration of chilly, mechanistic electronics into the mainstream, proving that cold, futuristic textures could resonate deeply with a mass audience. His 1979 single, "Are 'Friends' Electric?," recorded with Tubeway Army, was a shock to the system, combining a monolithic, repetitive analog synth riff with his detached, emotionless vocal delivery, catapulting him to the top of the UK charts and paving the way for the synth-pop explosion that followed. This success was immediately followed by the quintessential electronic anthem, "Cars," released under his own name, which became an international smash hit and remains his most recognizable track, using Moog synthesizers to create a sound that perfectly encapsulated the anxieties and fascinations of the burgeoning technological age. Numan’s influence extends far beyond the New Wave era; his heavily synthesized sound, characterized by thick basslines, atmospheric pads, and a pervasive sense of dramatic melancholy, became a crucial sonic blueprint for early industrial acts and later techno and gothic rock musicians. Artists from Trent Reznor of Nine Inch Nails and Marilyn Manson to Afrika Bambaataa and Dave Grohl have cited him as a pivotal inspiration, underscoring his contribution as the originator of the 'man-machine' aesthetic and the creator of a unique, dystopian sound world. Though his mainstream popularity waned after the early 80s, Numan enjoyed a massive critical and artistic resurgence in the 90s and 2000s, embracing heavier, more aggressive industrial electronics on albums like Exile and Sacrifice, ensuring his continued relevance and confirming his legacy not merely as a pop phenomenon, but as a true electronic music innovator whose futuristic paranoia continues to fuel modern music.

✚ Gary Numan, nĂ© Gary Webb, a fait irruption sur la scène Ă  la fin des annĂ©es 1970, passant du groupe punk Ă©phĂ©mère Tubeway Army Ă  une carrière solo rĂ©volutionnaire qui a fait de lui le visage improbable et stoĂŻque de la musique synthĂ©tisĂ©e Ă  l'ère post-punk, gravant Ă  jamais son nom dans les fondations de l'Ă©lectro-pop et de la musique industrielle. S'inspirant fortement des thèmes austères et aliĂ©nĂ©s d'Ă©crivains comme Philip K. Dick et du son Ă©mergent du krautrock et des premiers synthĂ©tiseurs, l'Ĺ“uvre de Numan a Ă©tĂ© pionnière dans l'intĂ©gration rĂ©ussie de l'Ă©lectronique glaciale et mĂ©caniste dans le courant dominant, prouvant que les textures froides et futuristes pouvaient rĂ©sonner profondĂ©ment auprès d'un large public. Son single de 1979, "Are 'Friends' Electric?", enregistrĂ© avec Tubeway Army, fut un choc, combinant un riff de synthĂ© analogique monolithique et rĂ©pĂ©titif avec son interprĂ©tation vocale dĂ©tachĂ©e et sans Ă©motion, le propulsant au sommet des classements britanniques et ouvrant la voie Ă  l'explosion synth-pop qui a suivi. Ce succès a Ă©tĂ© immĂ©diatement suivi par l'hymne Ă©lectronique par excellence, "Cars", sorti sous son propre nom, qui est devenu un succès international retentissant et reste son morceau le plus reconnaissable, utilisant des synthĂ©tiseurs Moog pour crĂ©er un son qui encapsulait parfaitement les angoisses et les fascinations de l'ère technologique naissante. L'influence de Numan s'Ă©tend bien au-delĂ  de l'ère New Wave ; son son fortement synthĂ©tisĂ©, caractĂ©risĂ© par des lignes de basse Ă©paisses, des nappes atmosphĂ©riques et un sentiment omniprĂ©sent de mĂ©lancolie dramatique, est devenu un modèle sonore crucial pour les premiers artistes industriels et les musiciens de techno et de rock gothique ultĂ©rieurs. Des artistes allant de Trent Reznor de Nine Inch Nails et Marilyn Manson Ă  Afrika Bambaataa et Dave Grohl l'ont citĂ© comme une inspiration essentielle, soulignant sa contribution en tant qu'initiateur de l'esthĂ©tique 'homme-machine' et crĂ©ateur d'un monde sonore unique et dystopique. Bien que sa popularitĂ© grand public ait diminuĂ© après le dĂ©but des annĂ©es 80, Numan a connu une rĂ©surgence critique et artistique massive dans les annĂ©es 90 et 2000, adoptant une Ă©lectronique industrielle plus lourde et plus agressive sur des albums comme Exile et Sacrifice, assurant sa pertinence continue et confirmant son hĂ©ritage non seulement comme un phĂ©nomène pop, mais comme un vĂ©ritable innovateur de la musique Ă©lectronique dont la paranoĂŻa futuriste continue d'alimenter la musique moderne.

 

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