🔩 IANNIS XENAKIS [Archives #022]
Compositeur / Interprète
|
Titre
|
Disque
|
Label
|
Origine
|
Style
|
Iannis
Xenakis / Ensemble Instrumental De Musique Contemporaine De Paris
|
Pithoprakta
|
Metastasis / Pithoprakta - Eonta
|
Le Chant Du Monde
|
France
|
Musique Contemporaine
|
Iannis Xenakis / Orchestre Philharmonique Du
Luxembourg
|
Antikhthon
|
Orchestral Works vol II
|
Timpani
|
France
|
Musique Contemporaine
|
Iannis
Xenakis / Orchestre National de France
|
Cendrées
|
Cendrées /
Jonchaies / Nomos Gamma
|
Erato
|
France
|
Musique Contemporaine
|
Iannis Xenakis / Ensemble
Intercontemporain
|
Keren
|
Phlegra / Jalons / Keren / Nomos Alpha / Thalleïn
|
Erato
|
France
|
Musique Contemporaine
|
Iannis
Xenakis / Les Percussions de Strasbourg
|
Métaux
|
Pléiades
|
Harmonia Mundi
|
France
|
Musique Contemporaine
|
Kodo
|
Zoku
|
Blessing Of The Earth
|
CBS
|
Japon
|
Traditional Music
|
Dieter Müh
|
For Petes Sake
|
Cari Saluti
|
Functional
|
UK
|
Industrial Music / Dark Ambient
|
Esplendor Geométrico
|
Maria Luisa
|
Eg-1 +
|
Geometrik
|
Espagne
|
Industrial Music / Rhythmic Noise
|
Dive
|
Glow In The Dark
|
Night Shadows
|
A fast Forward
|
Belgique
|
Dark Electro
|
A Certain Ratio
|
A Knife Slits Water
|
In The Beginning There Was Rhythm (V/A)
|
Soul Jazz
|
UK
|
Post-Punk / New Wave
|
Tom Holkenborg
|
Chapter Doof (Extended Version)
|
Mad Max Fury Road
|
WaterTower Music
|
Pays-Bas
|
Soundtrack
|
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