ARTIST
|
TRACK
|
DISC
|
LABEL
|
LAND
|
STYLE
|
PIERRE SCHAEFFER
|
Expériences
Musicales No. 1
|
Documents 1952 -
1990
|
INA – GRM
|
FRANCE
|
ELECTROACOUSTIC
|
PIERRE SCHAEFFER
|
ETUDES AUX CHEMINS DE FER
|
CINQ ETUDES DE BRUITS
|
INA – GRM
|
FRANCE
|
ELECTROACOUSTIC
|
PIERRE SCHAEFFER
|
OBJETS RASSEMBLES, OU STRETTE
|
ETUDE AUX OBJETS
|
INA – GRM
|
FRANCE
|
ELECTROACOUSTIC
|
PIERRE SCHAEFFER
|
STRETTE
|
TRIEDRE FERTILE
|
INA – GRM
|
FRANCE
|
ELECTROACOUSTIC
|
PIERRE SCHAEFFER
|
LES PAROLES DESELEES
|
LES PAROLES DESELEES
|
INA – GRM
|
FRANCE
|
ELECTROACOUSTIC
|
PIERRE SCHAEFFER + PIERRE HENRY
|
ORPHEE 53, SUITE DE CONCERT
|
ORPHEE 53, SUITE DE CONCERT
|
INA – GRM
|
FRANCE
|
ELECTROACOUSTIC
|
RAINER RIEHN
|
CHANTS DE MALDOROR
|
INSTITUTE OF
SONOLOGY 1959-69 (V/A)
|
SUB ROSA
|
GERMANY
|
ELECTROACOUSTIC
|
PAULINE OLIVEROS
|
I OF IV
|
ELECTRONICS WORKS
|
PARADIGM DISCS
|
USA
|
ELECTROACOUSTIC
|
Halbschlaf
|
Interpolation 1.1 + Extrapolation 1.2 + Fokus 1.3
|
KALT
|
POLYMORPH
|
switzerland
|
ELECTRONICA /
AMBIENT
|
Hugues le Bars
|
APERO
|
J'EN AI MARRE
|
NOCTURNE
|
FRANCE
|
EXPERIMENTAL
|