π’ TELECOMMUNICATION (CONNECTION / CONTROL) [Theme #029]
│ LISTEN │
✚ The theme of
telecommunications in electronic music compositions is a fascinating
exploration of the intersection between technology, communication, and art.
Electronic music composers often incorporate elements of telecommunications into
their compositions, either through sonic representations of telecommunication
devices and signals or through conceptual exploration of themes related to
communication and connectivity. Sonic Representation: Composers may use
electronic sounds and effects to mimic the sounds of telecommunication devices
such as dial tones, fax machines, modems, and digital data transmissions. These
sounds can be manipulated and integrated into compositions to create rhythmic
patterns, textures, and atmospheres that evoke the experience of communication
through technology. Sampling and Sound Collage: Electronic music composers
often sample audio from telecommunications sources, including telephone
conversations, radio broadcasts, news reports, and recorded messages. These samples
can be manipulated, processed, and integrated into compositions as a form of
found sound or sound collage, adding layers of meaning and context to the
music. Conceptual Themes: Telecommunications serve as a conceptual theme in
electronic music compositions, exploring ideas related to connectivity,
distance, communication breakdown, and the impact of technology on human
interaction. Composers may use music to reflect on the ways in which
telecommunications shape our lives, relationships, and perceptions of reality. Ambient
and Experimental Soundscapes: Telecommunications inspire ambient and
experimental electronic music compositions that explore the sonic landscape of
communication networks and digital technologies. Composers use synthesizers,
samplers, and digital effects to create immersive soundscapes that evoke the
experience of navigating virtual spaces and interconnected networks. Narrative
and Storytelling: Some electronic music compositions incorporate narrative
elements related to telecommunications, telling stories of human experiences
with technology, communication breakdowns, and the quest for connection in a
digital age. These compositions may feature spoken word samples, voiceovers, or
electronic vocal manipulation to convey storytelling elements. Overall, the
theme of telecommunications in electronic music compositions offers composers a
rich and diverse palette of sonic and conceptual possibilities to explore.
Whether through sonic experimentation, conceptual reflection, or narrative
storytelling, electronic music compositions that engage with the theme of
telecommunications invite listeners to reflect on the ways in which technology
shapes our lives and relationships in the modern world.
✚ Le thΓ¨me des tΓ©lΓ©communications dans les compositions de musique Γ©lectronique est une exploration fascinante de l'intersection entre la technologie, la communication et l'art. Les compositeurs de musique Γ©lectronique intΓ¨grent souvent des Γ©lΓ©ments de tΓ©lΓ©communications dans leurs compositions, soit Γ travers des reprΓ©sentations sonores des dispositifs et signaux de tΓ©lΓ©communication, soit Γ travers une exploration conceptuelle des thΓ¨mes liΓ©s Γ la communication et Γ la connectivitΓ©. ReprΓ©sentation sonore : Les compositeurs peuvent utiliser des sons Γ©lectroniques et des effets pour imiter les sons des dispositifs de tΓ©lΓ©communication tels que les tonalitΓ©s de numΓ©rotation, les tΓ©lΓ©copieurs, les modems et les transmissions de donnΓ©es numΓ©riques. Ces sons peuvent Γͺtre manipulΓ©s et intΓ©grΓ©s dans les compositions pour crΓ©er des motifs rythmiques, des textures et des atmosphΓ¨res qui Γ©voquent l'expΓ©rience de la communication Γ travers la technologie. Γchantillonnage et collage sonore : Les compositeurs de musique Γ©lectronique Γ©chantillonnent souvent des sources audio de tΓ©lΓ©communications, y compris des conversations tΓ©lΓ©phoniques, des Γ©missions de radio, des reportages d'actualitΓ©s et des messages enregistrΓ©s. Ces Γ©chantillons peuvent Γͺtre manipulΓ©s, traitΓ©s et intΓ©grΓ©s dans les compositions sous forme de son trouvΓ© ou de collage sonore, ajoutant des couches de sens et de contexte Γ la musique. ThΓ¨mes conceptuels : Les tΓ©lΓ©communications servent de thΓ¨me conceptuel dans les compositions de musique Γ©lectronique, explorant des idΓ©es liΓ©es Γ la connectivitΓ©, Γ la distance, Γ la rupture de la communication et Γ l'impact de la technologie sur l'interaction humaine. Les compositeurs peuvent utiliser la musique pour rΓ©flΓ©chir aux faΓ§ons dont les tΓ©lΓ©communications faΓ§onnent nos vies, nos relations et nos perceptions de la rΓ©alitΓ©. Paysages sonores ambiants et expΓ©rimentaux: Les tΓ©lΓ©communications inspirent des compositions de musique Γ©lectronique ambiante et expΓ©rimentale qui explorent le paysage sonore des rΓ©seaux de communication et des technologies numΓ©riques. Les compositeurs utilisent des synthΓ©tiseurs, des Γ©chantillonneurs et des effets numΓ©riques pour crΓ©er des paysages sonores immersifs qui Γ©voquent l'expΓ©rience de naviguer dans des espaces virtuels et des rΓ©seaux interconnectΓ©s. Narration et narration : Certaines compositions de musique Γ©lectronique intΓ¨grent des Γ©lΓ©ments narratifs liΓ©s aux tΓ©lΓ©communications, racontant des histoires d'expΓ©riences humaines avec la technologie, les ruptures de communication et la quΓͺte de connexion Γ l'Γ¨re numΓ©rique. Ces compositions peuvent inclure des Γ©chantillons de mots parlΓ©s, des narrations ou une manipulation vocale Γ©lectronique pour transmettre des Γ©lΓ©ments narratifs. Dans l'ensemble, le thΓ¨me des tΓ©lΓ©communications dans les compositions de musique Γ©lectronique offre aux compositeurs une palette riche et diversifiΓ©e de possibilitΓ©s sonores et conceptuelles Γ explorer. Que ce soit par le biais de l'expΓ©rimentation sonore, de la rΓ©flexion conceptuelle ou de la narration narrative, les compositions de musique Γ©lectronique qui explorent le thΓ¨me des tΓ©lΓ©communications invitent les auditeurs Γ rΓ©flΓ©chir aux faΓ§ons dont la technologie faΓ§onne nos vies et nos relations dans le monde moderne.
│ PLAYLIST │
SCANNER |
Connections |
00:00:25 |
CLOCK DVA |
Connection Machine |
00:02:58 |
Radio Prague |
00:08:56 |
|
Calling Moscow |
00:09:59 |
|
CARLOS PERΓN |
CCCP Calling |
00:14:21 |
ARPANET |
Wireless Internet |
00:16:09 |
The Phone Call [Noseda Remix] |
00:22:04 |
|
Anti-Communication |
00:28:57 |
|
Mundial Radio |
00:36:16 |
|
GEISTFORM |
Union Radio |
00:42:07 |
Phonestrap 6 / Autotrader 4 |
00:48:47 |
|
Television Rules The Nation |
00:55:57 |
|
GIORGIO MORODER |
Call Me [Russ Danoff Instrumental Mix] |
01:00:45 |
TIMEDRIVER |
Call Of The Void |
01:04:43 |
INGO HERRMANN |
Future Calling |
01:08:46 |
HOLON |
We Call It Progress |
01:12:25 |
+ EDWARD SNOWDEN |
Exit |
01:17:44 |
Radio Void |
01:24:04 |
|
Die Stimmen Des Radios |
01:26:23 |
|
Television Station |
01:29:59 |
|
House Phone |
01:32:41 |
|
ROBOTIKO REJEKTO |
Communication |
01:37:37 |
Radio Radio [The Tellurians Mix] |
01:40:24 |
|
ELEKTRIC MUSIC |
Television |
01:46:05 |
DORIS NORTON |
Radio Trancemission |
01:50:07 |
ATARI TEENAGE RIOT |
We Are From The Internet [Dub Instrumental] |
01:53:29 |
PEOPLE LIKE US + MATMOS |
Calling |
01:58:22 |
THE PUMP |
Dream Television |
02:02:25 |
SSHE RETINA STIMULANTS |
Wide Area And Cosmopolitan Networks |
02:04:18 |
GRIEFER |
Darknet |
02:05:47 |
SEIEI JACK |
Radio Moscow |
02:12:17 |
RADIO RABOTNIK TV |
Leader |
02:19:12 |
KytkennΓ€t / Connections |
02:22:12 |
|
D-COMBE |
Radio Progamme 1 |
02:29:07 |
Communication 3 |
02:29:42 |
|
Prague Radio |
02:34:47 |
|
TRENT REZNOR |
Intriguing Possibilities |
02:39:34 |
Luminous Shade (Incl. Julian Assange's Speech Excerpts) |
02:42:05 |
|
EURYTHMICS |
Room 101 |
02:46:29 02:46:29 |
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