馃帶 RYOJI IKEDA [Glitch]
✚ Ryoji Ikeda is a prominent Japanese sound artist and
composer known for his avant-garde works that explore the intersection of
sound, mathematics, and technology. Born in 1966 in Gifu, Japan, Ikeda studied
music composition at the Tamagawa University in Tokyo. He started his career in
the late 1980s, initially gaining recognition as a member of the multimedia art
collective Dumb Type, which focused on experimental theater and performances
incorporating technology. Ikeda's solo career began to flourish in the 1990s,
marked by his innovative audiovisual installations and performances that often
involve minimalist aesthetics and the use of data and computer algorithms. His
works span various mediums, including sound art, visual art, installations, and
live performances, and are characterized by their exploration of the nature of
sound, digital information, and perception. One of Ikeda's notable works is
"datamatics" (2006-), a series of installations and performances that
examine the aesthetics of data through the use of computer-generated imagery
and electronic soundscapes. Another significant piece is "test
pattern" (2008-), an audiovisual installation featuring flickering
black-and-white patterns accompanied by a pulsating electronic soundtrack. Ikeda's
works have been showcased at numerous prestigious venues and events worldwide,
including the Venice Biennale, documenta, and Ars Electronica. He has also
collaborated with various artists, musicians, and scientists, pushing the
boundaries of interdisciplinary art and technology. Throughout his career,
Ryoji Ikeda has received critical acclaim for his groundbreaking contributions
to contemporary art and music, earning him a reputation as one of the leading
figures in the field of experimental sound and multimedia art.
✚ Ryoji Ikeda est un artiste sonore et compositeur japonais de renom, connu pour ses 艙uvres d'avant-garde explorant l'intersection du son, des math茅matiques et de la technologie. N茅 en 1966 脿 Gifu, au Japon, Ikeda a 茅tudi茅 la composition musicale 脿 l'Universit茅 Tamagawa de Tokyo. Il a commenc茅 sa carri猫re 脿 la fin des ann茅es 1980, gagnant initialement en reconnaissance en tant que membre du collectif d'art multim茅dia Dumb Type, qui se concentrait sur le th茅芒tre exp茅rimental et les performances int茅grant la technologie. La carri猫re solo d'Ikeda a commenc茅 脿 s'茅panouir dans les ann茅es 1990, marqu茅e par ses installations audiovisuelles innovantes et ses performances qui impliquent souvent une esth茅tique minimaliste et l'utilisation de donn茅es et d'algorithmes informatiques. Ses 艙uvres couvrent divers m茅dias, notamment l'art sonore, l'art visuel, les installations et les performances en direct, et se caract茅risent par leur exploration de la nature du son, de l'information num茅rique et de la perception. Une des 艙uvres notables d'Ikeda est "datamatics" (2006-), une s茅rie d'installations et de performances qui examinent l'esth茅tique des donn茅es 脿 travers l'utilisation d'images g茅n茅r茅es par ordinateur et de paysages sonores 茅lectroniques. Une autre pi猫ce significative est "test pattern" (2008-), une installation audiovisuelle pr茅sentant des motifs noir et blanc clignotants accompagn茅s d'une bande son 茅lectronique pulsante. Les 艙uvres d'Ikeda ont 茅t茅 expos茅es dans de nombreux lieux et 茅v茅nements prestigieux dans le monde entier, notamment la Biennale de Venise, documenta et Ars Electronica. Il a 茅galement collabor茅 avec divers artistes, musiciens et scientifiques, repoussant les limites de l'art interdisciplinaire et de la technologie. Tout au long de sa carri猫re, Ryoji Ikeda a re莽u des critiques 茅logieuses pour ses contributions novatrices 脿 l'art contemporain et 脿 la musique, ce qui lui a valu une r茅putation de figure de proue dans le domaine de l'art sonore exp茅rimental et de l'art multim茅dia.
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