RON BERRY➤Sea Of Clouds➤Where Dark Forces Meet➤01:36:20
BRIAN ENO➤The Ship➤The Ship ➤01:44:45
ENO + MOEBIUS + ROEDELIUS + PLANK➤Two Oldtimers➤Begegnungen➤02:06:05
✚Brian Eno is one of the most influential figures in the history of electronic music, renowned for his pioneering work in ambient music, sound design, and production. His innovative approach to sound has had a lasting impact on both experimental and popular music. Brian Eno gained initial recognition as a member of the glam rock band Roxy Music, where he played synthesizers and manipulated sound in real time. His unconventional methods of using tape loops and synthesizers set him apart. Eno left Roxy Music to focus on solo projects, where he explored minimalism and electronic textures. His album Discreet Music (1975) is considered one of the earliest ambient records. This was followed by his seminal Ambient series: Ambient 1: Music for Airports (1978), Ambient 2: The Plateaux of Mirror (with Harold Budd, 1980), Ambient 4: On Land (1982) Eno produced or co-produced some of the most significant albums in popular music, working with artists such as: David Bowie on the "Berlin Trilogy" (Low, "Heroes", and Lodger), Talking Heads on albums like Fear of Music (1979) and Remain in Light (1980), U2 on The Unforgettable Fire, The Joshua Tree, and Achtung Baby and collaborations with John Cale, Robert Fripp, David Byrne, and Daniel Lanois. In the 1990s and beyond, Eno became a pioneer of generative music, creating compositions that evolve in real time. He developed interactive music apps such as Bloom and Reflection. Eno essentially defined the genre of ambient music, creating soundscapes intended for passive and active listening. His work helped establish ambient as a legitimate and influential genre within electronic music. Known for his "studio as an instrument" philosophy, Eno introduced groundbreaking techniques such as tape delay, generative processes, and innovative sound treatments that influenced electronic and rock music alike. Eno's interest in systems and randomness led him to develop music that is created through algorithms and software, pushing electronic music beyond traditional composition. He expanded electronic music into the realm of visual art through installations that combine sound and light, such as 77 Million Paintings. Eno’s approach to music as a form of exploration and texture influenced numerous electronic artists across ambient, techno, and experimental music scenes. His philosophy of "music as atmosphere" is a core element of contemporary electronic genres.
✚Brian Eno est l'une des figures les plus influentes de l'histoire de la musique 茅lectronique, reconnu pour son travail pionnier dans la musique ambient, le design sonore et la production. Son approche novatrice du son a eu un impact durable tant sur la musique exp茅rimentale que populaire. Il a d'abord 茅t茅 remarqu茅 en tant que membre du groupe de glam rock Roxy Music, o霉 il jouait des synth茅tiseurs et manipulait le son en temps r茅el. Ses m茅thodes non conventionnelles d'utilisation de boucles sur bande et de synth茅tiseurs le distinguaient. Eno a quitt茅 Roxy Music pour se concentrer sur des projets solo, explorant le minimalisme et les textures 茅lectroniques. Son album Discreet Music (1975) est consid茅r茅 comme l'un des premiers disques ambient. Cela a 茅t茅 suivi par sa s茅rie embl茅matique Ambient : Ambient 1: Music for Airports (1978), Ambient 2: The Plateaux of Mirror (avec Harold Budd, 1980), Ambient 4: On Land (1982). Eno a produit ou coproduit certains des albums les plus significatifs de la musique populaire, travaillant avec des artistes tels que David Bowie sur la "Trilogie berlinoise" (Low, "Heroes", et Lodger), Talking Heads sur des albums comme Fear of Music (1979) et Remain in Light (1980), U2 sur The Unforgettable Fire, The Joshua Tree, et Achtung Baby, ainsi que des collaborations avec John Cale, Robert Fripp, David Byrne et Daniel Lanois. Dans les ann茅es 1990 et au-del脿, Eno est devenu un pionnier de la musique g茅n茅rative, cr茅ant des compositions qui 茅voluent en temps r茅el. Il a d茅velopp茅 des applications musicales interactives telles que Bloom et Reflection. Eno a essentiellement d茅fini le genre de la musique ambient, cr茅ant des paysages sonores destin茅s 脿 une 茅coute passive et active. Son travail a contribu茅 脿 茅tablir l'ambient comme un genre l茅gitime et influent au sein de la musique 茅lectronique. Connu pour sa philosophie du "studio en tant qu'instrument", Eno a introduit des techniques r茅volutionnaires telles que le retard sur bande, les processus g茅n茅ratifs et des traitements sonores innovants qui ont influenc茅 la musique 茅lectronique et rock. Son int茅r锚t pour les syst猫mes et l'al茅atoire l'a conduit 脿 d茅velopper une musique cr茅茅e 脿 travers des algorithmes et des logiciels, repoussant la musique 茅lectronique au-del脿 de la composition traditionnelle. Il a 茅tendu la musique 茅lectronique au domaine de l'art visuel 脿 travers des installations qui combinent son et lumi猫re, telles que 77 Million Paintings. L'approche d'Eno de la musique en tant que forme d'exploration et de texture a influenc茅 de nombreux artistes 茅lectroniques dans les sc猫nes ambient, techno et exp茅rimentales. Sa philosophie de la "musique en tant qu'atmosph猫re" est un 茅l茅ment central des genres 茅lectroniques contemporains.
