🤖 THE FUTURE SOUND OF LONDON [Techno #274]
- THE FUTURE SOUND OF LONDON➤Hopiate➤Rituals E7.001➤00:00:25
- THE FUTURE SOUND OF LONDON➤Then Departed➤From The Archives Vol.6➤00:07:58
- THE FUTURE SOUND OF LONDON➤Pulse State [831 Am Mix]➤The Pulse EPs➤00:13:20
- MENTAL CUBE➤Q➤Chile Of The Bass Generation➤00:20:40
- HUMANOID➤Acid To The Bone➤Your Body Sub-Atomic➤00:25:32
- INDO TRIBE➤Bite The Bullet Baby [Jaques Reynoix Mix]➤Pulse Three➤00:36:42
- SMART SYSTEMS➤Tingler [Smart Systems Remix]➤Tingler➤00:41:10
- SEMI REAL➤People Livin' Today [Original]➤People Livin' Today➤00:47:40
- CANDESE➤You Took My Love [Earth Mix]➤You Took My Love➤00:52:51
- YAGE➤He Laughed Himself To The Centre➤The Woodlands Of Old➤00:57:06
- HEADS OF AGREEMENT➤Elongate➤The San Monta Tapes➤01:03:01
- ZEEBOX➤Clut And Handle➤1984-1987 [Vol. 2]➤01:08:55
- POLEMICAL➤Bats➤Hand-Made Devices➤01:15:00
- PART-SUB-MERGED➤Wooden Gage Part 1➤Four Forests➤01:17:48
- AMORPHOUS ANDROGYNOUS➤The Galaxial Pharmaceutical➤The Isness & The Otherness➤01:22:51
- THE FUTURE SOUND OF LONDON➤Globular [Longform]➤A Gigantic Globular Burst Of Antistatic➤01:37:24
- THE FUTURE SOUND OF LONDON➤Papua New Guinea [Andrew Weatherall Mix]➤Papua New Guinea➤02:08:37
✚ The Future Sound of London (FSOL) is a
pioneering electronic music duo consisting of Garry Cobain and Brian Dougans. Formed
in 1988 in Manchester, England, FSOL has played a significant role in shaping
the electronic music landscape. Formation
(1988): Garry Cobain and Brian Dougans came together to form FSOL,
initially operating under various monikers. They started experimenting with
electronic sounds and sampling techniques. Early Releases and Stakker (Late 1980s): Before adopting the FSOL
name, the duo released music under different aliases. Notably, their work on
the "Stakker" project, including the "Stakker Humanoid"
single, gained attention for its innovative use of visuals and electronic
music. "Accelerator" (1991):
FSOL gained widespread recognition with their debut album,
"Accelerator," released in 1991. The album featured a blend of
ambient, techno, and experimental sounds. The track "Papua New
Guinea" became a seminal work in electronic music. Ambient and Experimental Exploration (Early to Mid-1990s): FSOL
continued to push boundaries with albums like "Lifeforms" (1994) and
"ISDN" (1994), exploring ambient and experimental soundscapes. They
became known for their ability to create immersive, atmospheric compositions. Amorphous Androgynous and Side Projects
(1990s): The duo explored different musical avenues under the alias
Amorphous Androgynous, producing more psychedelic and progressive works. They
also engaged in side projects and collaborations with other artists. "Dead Cities" (1996):
"Dead Cities" further solidified FSOL's reputation, showcasing a
darker and more cinematic side of their music. The album featured a combination
of ambient and industrial elements. Later
Works and Independency (2000s Onward): In the 2000s, FSOL continued to
release music independently, leveraging digital distribution platforms. They
explored diverse styles, including ambient, techno, and experimental electronic
music. Digital Reissues and Archival
Releases: The duo revisited their back catalog, reissuing and
remastering earlier works for digital platforms. They also released previously
unreleased material, providing fans with a deeper look into their creative
process. Ongoing Exploration (2010s -
Present): FSOL remains active in the 2010s and beyond, consistently
releasing new music. They have embraced modern production techniques while
maintaining their experimental and innovative approach to sound. Legacy and Influence: FSOL's influence
extends beyond their discography. They are recognized for their contributions
to ambient and electronic music, inspiring subsequent generations of artists.
The Future Sound of London's journey is characterized by a commitment to
experimentation, innovation, and a willingness to traverse diverse musical
landscapes, leaving an indelible mark on the electronic music genre.
✚ The Future Sound of London (FSOL) est un duo pionnier de musique Ă©lectronique composĂ© de Garry Cobain et Brian Dougans. FormĂ© en 1988 Ă Manchester, en Angleterre, FSOL a jouĂ© un rĂ´le important dans la formation du paysage de la musique Ă©lectronique. Formation (1988) : Garry Cobain et Brian Dougans se sont rĂ©unis pour former FSOL, opĂ©rant initialement sous divers noms. Ils ont commencĂ© Ă expĂ©rimenter avec des sons Ă©lectroniques et des techniques d'Ă©chantillonnage. Premières sorties et Stakker (fin des annĂ©es 1980) : Avant d'adopter le nom FSOL, le duo a sorti de la musique sous diffĂ©rentes identitĂ©s. Leur travail sur le projet "Stakker", notamment le single "Stakker Humanoid", a attirĂ© l'attention pour son utilisation novatrice de visuels et de musique Ă©lectronique. "Accelerator" (1991) : FSOL a acquis une reconnaissance gĂ©nĂ©ralisĂ©e avec leur premier album, "Accelerator", sorti en 1991. L'album prĂ©sentait un mĂ©lange de sons ambiants, techno et expĂ©rimentaux. Le morceau "Papua New Guinea" est devenu une Ĺ“uvre emblĂ©matique de la musique Ă©lectronique. Exploration ambiante et expĂ©rimentale (dĂ©but Ă milieu des annĂ©es 1990) : FSOL a continuĂ© Ă repousser les limites avec des albums tels que "Lifeforms" (1994) et "ISDN" (1994), explorant des paysages sonores ambiants et expĂ©rimentaux. Ils se sont fait connaĂ®tre pour leur capacitĂ© Ă crĂ©er des compositions immersives et atmosphĂ©riques. Amorphous Androgynous et projets parallèles (annĂ©es 1990) : Le duo a explorĂ© diffĂ©rentes voies musicales sous le pseudonyme Amorphous Androgynous, produisant des Ĺ“uvres plus psychĂ©dĂ©liques et progressives. Ils ont Ă©galement participĂ© Ă des projets parallèles et collaborĂ© avec d'autres artistes. "Dead Cities" (1996) : "Dead Cities" a consolidĂ© davantage la rĂ©putation de FSOL, prĂ©sentant un cĂ´tĂ© plus sombre et cinĂ©matographique de leur musique. L'album comportait une combinaison d'Ă©lĂ©ments ambiants et industriels. Travaux ultĂ©rieurs et indĂ©pendance (annĂ©es 2000 Ă aujourd'hui) : Dans les annĂ©es 2000, FSOL a continuĂ© Ă sortir de la musique de manière indĂ©pendante, en exploitant les plates-formes de distribution numĂ©rique. Ils ont explorĂ© divers styles, dont l'ambient, la techno et la musique Ă©lectronique expĂ©rimentale. RĂ©Ă©ditions numĂ©riques et sorties d'archives : Le duo a revisitĂ© son catalogue, rĂ©Ă©ditant et remasterisant des Ĺ“uvres antĂ©rieures pour les plates-formes numĂ©riques. Ils ont Ă©galement publiĂ© du matĂ©riel inĂ©dit, offrant aux fans un regard plus approfondi sur leur processus crĂ©atif. Exploration continue (annĂ©es 2010 Ă aujourd'hui) : FSOL reste actif dans les annĂ©es 2010 et au-delĂ , sortant rĂ©gulièrement de nouvelles musiques. Ils ont adoptĂ© des techniques de production modernes tout en maintenant leur approche expĂ©rimentale et innovante du son. HĂ©ritage et influence : L'influence de FSOL va au-delĂ de leur discographie. Ils sont reconnus pour leurs contributions Ă la musique ambiante et Ă©lectronique, inspirant les gĂ©nĂ©rations d'artistes suivantes. Le parcours du Future Sound of London se caractĂ©rise par un engagement envers l'expĂ©rimentation, l'innovation et une volontĂ© de traverser des paysages musicaux divers, laissant une empreinte indĂ©lĂ©bile sur le genre de la musique Ă©lectronique.
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