馃 THE FUTURE SOUND OF LONDON [Techno]
- THE FUTURE SOUND OF LONDON➤Hopiate➤Rituals E7.001➤00:00:25
- THE FUTURE SOUND OF LONDON➤Then Departed➤From The Archives Vol.6➤00:07:58
- THE FUTURE SOUND OF LONDON➤Pulse State [831 Am Mix]➤The Pulse EPs➤00:13:20
- MENTAL CUBE➤Q➤Chile Of The Bass Generation➤00:20:40
- HUMANOID➤Acid To The Bone➤Your Body Sub-Atomic➤00:25:32
- INDO TRIBE➤Bite The Bullet Baby [Jaques Reynoix Mix]➤Pulse Three➤00:36:42
- SMART SYSTEMS➤Tingler [Smart Systems Remix]➤Tingler➤00:41:10
- SEMI REAL➤People Livin' Today [Original]➤People Livin' Today➤00:47:40
- CANDESE➤You Took My Love [Earth Mix]➤You Took My Love➤00:52:51
- YAGE➤He Laughed Himself To The Centre➤The Woodlands Of Old➤00:57:06
- HEADS OF AGREEMENT➤Elongate➤The San Monta Tapes➤01:03:01
- ZEEBOX➤Clut And Handle➤1984-1987 [Vol. 2]➤01:08:55
- POLEMICAL➤Bats➤Hand-Made Devices➤01:15:00
- PART-SUB-MERGED➤Wooden Gage Part 1➤Four Forests➤01:17:48
- AMORPHOUS ANDROGYNOUS➤The Galaxial Pharmaceutical➤The Isness & The Otherness➤01:22:51
- THE FUTURE SOUND OF LONDON➤Globular [Longform]➤A Gigantic Globular Burst Of Antistatic➤01:37:24
- THE FUTURE SOUND OF LONDON➤Papua New Guinea [Andrew Weatherall Mix]➤Papua New Guinea➤02:08:37
✚ The Future Sound of London (FSOL) is a
pioneering electronic music duo consisting of Garry Cobain and Brian Dougans. Formed
in 1988 in Manchester, England, FSOL has played a significant role in shaping
the electronic music landscape. Formation
(1988): Garry Cobain and Brian Dougans came together to form FSOL,
initially operating under various monikers. They started experimenting with
electronic sounds and sampling techniques. Early Releases and Stakker (Late 1980s): Before adopting the FSOL
name, the duo released music under different aliases. Notably, their work on
the "Stakker" project, including the "Stakker Humanoid"
single, gained attention for its innovative use of visuals and electronic
music. "Accelerator" (1991):
FSOL gained widespread recognition with their debut album,
"Accelerator," released in 1991. The album featured a blend of
ambient, techno, and experimental sounds. The track "Papua New
Guinea" became a seminal work in electronic music. Ambient and Experimental Exploration (Early to Mid-1990s): FSOL
continued to push boundaries with albums like "Lifeforms" (1994) and
"ISDN" (1994), exploring ambient and experimental soundscapes. They
became known for their ability to create immersive, atmospheric compositions. Amorphous Androgynous and Side Projects
(1990s): The duo explored different musical avenues under the alias
Amorphous Androgynous, producing more psychedelic and progressive works. They
also engaged in side projects and collaborations with other artists. "Dead Cities" (1996):
"Dead Cities" further solidified FSOL's reputation, showcasing a
darker and more cinematic side of their music. The album featured a combination
of ambient and industrial elements. Later
Works and Independency (2000s Onward): In the 2000s, FSOL continued to
release music independently, leveraging digital distribution platforms. They
explored diverse styles, including ambient, techno, and experimental electronic
music. Digital Reissues and Archival
Releases: The duo revisited their back catalog, reissuing and
remastering earlier works for digital platforms. They also released previously
unreleased material, providing fans with a deeper look into their creative
process. Ongoing Exploration (2010s -
Present): FSOL remains active in the 2010s and beyond, consistently
releasing new music. They have embraced modern production techniques while
maintaining their experimental and innovative approach to sound. Legacy and Influence: FSOL's influence
extends beyond their discography. They are recognized for their contributions
to ambient and electronic music, inspiring subsequent generations of artists.
The Future Sound of London's journey is characterized by a commitment to
experimentation, innovation, and a willingness to traverse diverse musical
landscapes, leaving an indelible mark on the electronic music genre.
✚ The Future Sound of London (FSOL) est un duo pionnier de musique 茅lectronique compos茅 de Garry Cobain et Brian Dougans. Form茅 en 1988 脿 Manchester, en Angleterre, FSOL a jou茅 un r么le important dans la formation du paysage de la musique 茅lectronique. Formation (1988) : Garry Cobain et Brian Dougans se sont r茅unis pour former FSOL, op茅rant initialement sous divers noms. Ils ont commenc茅 脿 exp茅rimenter avec des sons 茅lectroniques et des techniques d'茅chantillonnage. Premi猫res sorties et Stakker (fin des ann茅es 1980) : Avant d'adopter le nom FSOL, le duo a sorti de la musique sous diff茅rentes identit茅s. Leur travail sur le projet "Stakker", notamment le single "Stakker Humanoid", a attir茅 l'attention pour son utilisation novatrice de visuels et de musique 茅lectronique. "Accelerator" (1991) : FSOL a acquis une reconnaissance g茅n茅ralis茅e avec leur premier album, "Accelerator", sorti en 1991. L'album pr茅sentait un m茅lange de sons ambiants, techno et exp茅rimentaux. Le morceau "Papua New Guinea" est devenu une 艙uvre embl茅matique de la musique 茅lectronique. Exploration ambiante et exp茅rimentale (d茅but 脿 milieu des ann茅es 1990) : FSOL a continu茅 脿 repousser les limites avec des albums tels que "Lifeforms" (1994) et "ISDN" (1994), explorant des paysages sonores ambiants et exp茅rimentaux. Ils se sont fait conna卯tre pour leur capacit茅 脿 cr茅er des compositions immersives et atmosph茅riques. Amorphous Androgynous et projets parall猫les (ann茅es 1990) : Le duo a explor茅 diff茅rentes voies musicales sous le pseudonyme Amorphous Androgynous, produisant des 艙uvres plus psych茅d茅liques et progressives. Ils ont 茅galement particip茅 脿 des projets parall猫les et collabor茅 avec d'autres artistes. "Dead Cities" (1996) : "Dead Cities" a consolid茅 davantage la r茅putation de FSOL, pr茅sentant un c么t茅 plus sombre et cin茅matographique de leur musique. L'album comportait une combinaison d'茅l茅ments ambiants et industriels. Travaux ult茅rieurs et ind茅pendance (ann茅es 2000 脿 aujourd'hui) : Dans les ann茅es 2000, FSOL a continu茅 脿 sortir de la musique de mani猫re ind茅pendante, en exploitant les plates-formes de distribution num茅rique. Ils ont explor茅 divers styles, dont l'ambient, la techno et la musique 茅lectronique exp茅rimentale. R茅茅ditions num茅riques et sorties d'archives : Le duo a revisit茅 son catalogue, r茅茅ditant et remasterisant des 艙uvres ant茅rieures pour les plates-formes num茅riques. Ils ont 茅galement publi茅 du mat茅riel in茅dit, offrant aux fans un regard plus approfondi sur leur processus cr茅atif. Exploration continue (ann茅es 2010 脿 aujourd'hui) : FSOL reste actif dans les ann茅es 2010 et au-del脿, sortant r茅guli猫rement de nouvelles musiques. Ils ont adopt茅 des techniques de production modernes tout en maintenant leur approche exp茅rimentale et innovante du son. H茅ritage et influence : L'influence de FSOL va au-del脿 de leur discographie. Ils sont reconnus pour leurs contributions 脿 la musique ambiante et 茅lectronique, inspirant les g茅n茅rations d'artistes suivantes. Le parcours du Future Sound of London se caract茅rise par un engagement envers l'exp茅rimentation, l'innovation et une volont茅 de traverser des paysages musicaux divers, laissant une empreinte ind茅l茅bile sur le genre de la musique 茅lectronique.

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