馃 THE FUTURE SOUND OF LONDON [Techno]

 

  1. THE FUTURE SOUND OF LONDONHopiateRituals E7.00100:00:25
  2. THE FUTURE SOUND OF LONDONThen DepartedFrom The Archives Vol.600:07:58
  3. THE FUTURE SOUND OF LONDONPulse State [831 Am Mix]The Pulse EPs00:13:20
  4. MENTAL CUBEQChile Of The Bass Generation00:20:40
  5. HUMANOIDAcid To The BoneYour Body Sub-Atomic00:25:32
  6. INDO TRIBEBite The Bullet Baby [Jaques Reynoix Mix]Pulse Three00:36:42
  7. SMART SYSTEMSTingler [Smart Systems Remix]Tingler00:41:10
  8. SEMI REALPeople Livin' Today [Original]People Livin' Today00:47:40
  9. CANDESEYou Took My Love [Earth Mix]You Took My Love00:52:51
  10. YAGEHe Laughed Himself To The CentreThe Woodlands Of Old00:57:06
  11. HEADS OF AGREEMENTElongateThe San Monta Tapes01:03:01
  12. ZEEBOXClut And Handle1984-1987 [Vol. 2]01:08:55
  13. POLEMICALBatsHand-Made Devices01:15:00
  14. PART-SUB-MERGEDWooden Gage Part 1Four Forests01:17:48
  15. AMORPHOUS ANDROGYNOUSThe Galaxial PharmaceuticalThe Isness & The Otherness01:22:51
  16. THE FUTURE SOUND OF LONDONGlobular [Longform]A Gigantic Globular Burst Of Antistatic01:37:24
  17. THE FUTURE SOUND OF LONDONPapua New Guinea [Andrew Weatherall Mix]Papua New Guinea02:08:37


✚ The Future Sound of London (FSOL) is a pioneering electronic music duo consisting of Garry Cobain and Brian Dougans. Formed in 1988 in Manchester, England, FSOL has played a significant role in shaping the electronic music landscape. Formation (1988): Garry Cobain and Brian Dougans came together to form FSOL, initially operating under various monikers. They started experimenting with electronic sounds and sampling techniques. Early Releases and Stakker (Late 1980s): Before adopting the FSOL name, the duo released music under different aliases. Notably, their work on the "Stakker" project, including the "Stakker Humanoid" single, gained attention for its innovative use of visuals and electronic music. "Accelerator" (1991): FSOL gained widespread recognition with their debut album, "Accelerator," released in 1991. The album featured a blend of ambient, techno, and experimental sounds. The track "Papua New Guinea" became a seminal work in electronic music. Ambient and Experimental Exploration (Early to Mid-1990s): FSOL continued to push boundaries with albums like "Lifeforms" (1994) and "ISDN" (1994), exploring ambient and experimental soundscapes. They became known for their ability to create immersive, atmospheric compositions. Amorphous Androgynous and Side Projects (1990s): The duo explored different musical avenues under the alias Amorphous Androgynous, producing more psychedelic and progressive works. They also engaged in side projects and collaborations with other artists. "Dead Cities" (1996): "Dead Cities" further solidified FSOL's reputation, showcasing a darker and more cinematic side of their music. The album featured a combination of ambient and industrial elements. Later Works and Independency (2000s Onward): In the 2000s, FSOL continued to release music independently, leveraging digital distribution platforms. They explored diverse styles, including ambient, techno, and experimental electronic music. Digital Reissues and Archival Releases: The duo revisited their back catalog, reissuing and remastering earlier works for digital platforms. They also released previously unreleased material, providing fans with a deeper look into their creative process. Ongoing Exploration (2010s - Present): FSOL remains active in the 2010s and beyond, consistently releasing new music. They have embraced modern production techniques while maintaining their experimental and innovative approach to sound. Legacy and Influence: FSOL's influence extends beyond their discography. They are recognized for their contributions to ambient and electronic music, inspiring subsequent generations of artists. The Future Sound of London's journey is characterized by a commitment to experimentation, innovation, and a willingness to traverse diverse musical landscapes, leaving an indelible mark on the electronic music genre.

 

✚ The Future Sound of London (FSOL) est un duo pionnier de musique 茅lectronique compos茅 de Garry Cobain et Brian Dougans. Form茅 en 1988 脿 Manchester, en Angleterre, FSOL a jou茅 un r么le important dans la formation du paysage de la musique 茅lectronique. Formation (1988) : Garry Cobain et Brian Dougans se sont r茅unis pour former FSOL, op茅rant initialement sous divers noms. Ils ont commenc茅 脿 exp茅rimenter avec des sons 茅lectroniques et des techniques d'茅chantillonnage. Premi猫res sorties et Stakker (fin des ann茅es 1980) : Avant d'adopter le nom FSOL, le duo a sorti de la musique sous diff茅rentes identit茅s. Leur travail sur le projet "Stakker", notamment le single "Stakker Humanoid", a attir茅 l'attention pour son utilisation novatrice de visuels et de musique 茅lectronique. "Accelerator" (1991) : FSOL a acquis une reconnaissance g茅n茅ralis茅e avec leur premier album, "Accelerator", sorti en 1991. L'album pr茅sentait un m茅lange de sons ambiants, techno et exp茅rimentaux. Le morceau "Papua New Guinea" est devenu une 艙uvre embl茅matique de la musique 茅lectronique. Exploration ambiante et exp茅rimentale (d茅but 脿 milieu des ann茅es 1990) : FSOL a continu茅 脿 repousser les limites avec des albums tels que "Lifeforms" (1994) et "ISDN" (1994), explorant des paysages sonores ambiants et exp茅rimentaux. Ils se sont fait conna卯tre pour leur capacit茅 脿 cr茅er des compositions immersives et atmosph茅riques. Amorphous Androgynous et projets parall猫les (ann茅es 1990) : Le duo a explor茅 diff茅rentes voies musicales sous le pseudonyme Amorphous Androgynous, produisant des 艙uvres plus psych茅d茅liques et progressives. Ils ont 茅galement particip茅 脿 des projets parall猫les et collabor茅 avec d'autres artistes. "Dead Cities" (1996) : "Dead Cities" a consolid茅 davantage la r茅putation de FSOL, pr茅sentant un c么t茅 plus sombre et cin茅matographique de leur musique. L'album comportait une combinaison d'茅l茅ments ambiants et industriels. Travaux ult茅rieurs et ind茅pendance (ann茅es 2000 脿 aujourd'hui) : Dans les ann茅es 2000, FSOL a continu茅 脿 sortir de la musique de mani猫re ind茅pendante, en exploitant les plates-formes de distribution num茅rique. Ils ont explor茅 divers styles, dont l'ambient, la techno et la musique 茅lectronique exp茅rimentale. R茅茅ditions num茅riques et sorties d'archives : Le duo a revisit茅 son catalogue, r茅茅ditant et remasterisant des 艙uvres ant茅rieures pour les plates-formes num茅riques. Ils ont 茅galement publi茅 du mat茅riel in茅dit, offrant aux fans un regard plus approfondi sur leur processus cr茅atif. Exploration continue (ann茅es 2010 脿 aujourd'hui) : FSOL reste actif dans les ann茅es 2010 et au-del脿, sortant r茅guli猫rement de nouvelles musiques. Ils ont adopt茅 des techniques de production modernes tout en maintenant leur approche exp茅rimentale et innovante du son. H茅ritage et influence : L'influence de FSOL va au-del脿 de leur discographie. Ils sont reconnus pour leurs contributions 脿 la musique ambiante et 茅lectronique, inspirant les g茅n茅rations d'artistes suivantes. Le parcours du Future Sound of London se caract茅rise par un engagement envers l'exp茅rimentation, l'innovation et une volont茅 de traverser des paysages musicaux divers, laissant une empreinte ind茅l茅bile sur le genre de la musique 茅lectronique.


  

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