🤖 THE FUTURE SOUND OF LONDON [Techno #274]

 

  1. THE FUTURE SOUND OF LONDONHopiateRituals E7.00100:00:25
  2. THE FUTURE SOUND OF LONDONThen DepartedFrom The Archives Vol.600:07:58
  3. THE FUTURE SOUND OF LONDONPulse State [831 Am Mix]The Pulse EPs00:13:20
  4. MENTAL CUBEQChile Of The Bass Generation00:20:40
  5. HUMANOIDAcid To The BoneYour Body Sub-Atomic00:25:32
  6. INDO TRIBEBite The Bullet Baby [Jaques Reynoix Mix]Pulse Three00:36:42
  7. SMART SYSTEMSTingler [Smart Systems Remix]Tingler00:41:10
  8. SEMI REALPeople Livin' Today [Original]People Livin' Today00:47:40
  9. CANDESEYou Took My Love [Earth Mix]You Took My Love00:52:51
  10. YAGEHe Laughed Himself To The CentreThe Woodlands Of Old00:57:06
  11. HEADS OF AGREEMENTElongateThe San Monta Tapes01:03:01
  12. ZEEBOXClut And Handle1984-1987 [Vol. 2]01:08:55
  13. POLEMICALBatsHand-Made Devices01:15:00
  14. PART-SUB-MERGEDWooden Gage Part 1Four Forests01:17:48
  15. AMORPHOUS ANDROGYNOUSThe Galaxial PharmaceuticalThe Isness & The Otherness01:22:51
  16. THE FUTURE SOUND OF LONDONGlobular [Longform]A Gigantic Globular Burst Of Antistatic01:37:24
  17. THE FUTURE SOUND OF LONDONPapua New Guinea [Andrew Weatherall Mix]Papua New Guinea02:08:37


✚ The Future Sound of London (FSOL) is a pioneering electronic music duo consisting of Garry Cobain and Brian Dougans. Formed in 1988 in Manchester, England, FSOL has played a significant role in shaping the electronic music landscape. Formation (1988): Garry Cobain and Brian Dougans came together to form FSOL, initially operating under various monikers. They started experimenting with electronic sounds and sampling techniques. Early Releases and Stakker (Late 1980s): Before adopting the FSOL name, the duo released music under different aliases. Notably, their work on the "Stakker" project, including the "Stakker Humanoid" single, gained attention for its innovative use of visuals and electronic music. "Accelerator" (1991): FSOL gained widespread recognition with their debut album, "Accelerator," released in 1991. The album featured a blend of ambient, techno, and experimental sounds. The track "Papua New Guinea" became a seminal work in electronic music. Ambient and Experimental Exploration (Early to Mid-1990s): FSOL continued to push boundaries with albums like "Lifeforms" (1994) and "ISDN" (1994), exploring ambient and experimental soundscapes. They became known for their ability to create immersive, atmospheric compositions. Amorphous Androgynous and Side Projects (1990s): The duo explored different musical avenues under the alias Amorphous Androgynous, producing more psychedelic and progressive works. They also engaged in side projects and collaborations with other artists. "Dead Cities" (1996): "Dead Cities" further solidified FSOL's reputation, showcasing a darker and more cinematic side of their music. The album featured a combination of ambient and industrial elements. Later Works and Independency (2000s Onward): In the 2000s, FSOL continued to release music independently, leveraging digital distribution platforms. They explored diverse styles, including ambient, techno, and experimental electronic music. Digital Reissues and Archival Releases: The duo revisited their back catalog, reissuing and remastering earlier works for digital platforms. They also released previously unreleased material, providing fans with a deeper look into their creative process. Ongoing Exploration (2010s - Present): FSOL remains active in the 2010s and beyond, consistently releasing new music. They have embraced modern production techniques while maintaining their experimental and innovative approach to sound. Legacy and Influence: FSOL's influence extends beyond their discography. They are recognized for their contributions to ambient and electronic music, inspiring subsequent generations of artists. The Future Sound of London's journey is characterized by a commitment to experimentation, innovation, and a willingness to traverse diverse musical landscapes, leaving an indelible mark on the electronic music genre.

 

✚ The Future Sound of London (FSOL) est un duo pionnier de musique Ă©lectronique composĂ© de Garry Cobain et Brian Dougans. FormĂ© en 1988 Ă  Manchester, en Angleterre, FSOL a jouĂ© un rĂ´le important dans la formation du paysage de la musique Ă©lectronique. Formation (1988) : Garry Cobain et Brian Dougans se sont rĂ©unis pour former FSOL, opĂ©rant initialement sous divers noms. Ils ont commencĂ© Ă  expĂ©rimenter avec des sons Ă©lectroniques et des techniques d'Ă©chantillonnage. Premières sorties et Stakker (fin des annĂ©es 1980) : Avant d'adopter le nom FSOL, le duo a sorti de la musique sous diffĂ©rentes identitĂ©s. Leur travail sur le projet "Stakker", notamment le single "Stakker Humanoid", a attirĂ© l'attention pour son utilisation novatrice de visuels et de musique Ă©lectronique. "Accelerator" (1991) : FSOL a acquis une reconnaissance gĂ©nĂ©ralisĂ©e avec leur premier album, "Accelerator", sorti en 1991. L'album prĂ©sentait un mĂ©lange de sons ambiants, techno et expĂ©rimentaux. Le morceau "Papua New Guinea" est devenu une Ĺ“uvre emblĂ©matique de la musique Ă©lectronique. Exploration ambiante et expĂ©rimentale (dĂ©but Ă  milieu des annĂ©es 1990) : FSOL a continuĂ© Ă  repousser les limites avec des albums tels que "Lifeforms" (1994) et "ISDN" (1994), explorant des paysages sonores ambiants et expĂ©rimentaux. Ils se sont fait connaĂ®tre pour leur capacitĂ© Ă  crĂ©er des compositions immersives et atmosphĂ©riques. Amorphous Androgynous et projets parallèles (annĂ©es 1990) : Le duo a explorĂ© diffĂ©rentes voies musicales sous le pseudonyme Amorphous Androgynous, produisant des Ĺ“uvres plus psychĂ©dĂ©liques et progressives. Ils ont Ă©galement participĂ© Ă  des projets parallèles et collaborĂ© avec d'autres artistes. "Dead Cities" (1996) : "Dead Cities" a consolidĂ© davantage la rĂ©putation de FSOL, prĂ©sentant un cĂ´tĂ© plus sombre et cinĂ©matographique de leur musique. L'album comportait une combinaison d'Ă©lĂ©ments ambiants et industriels. Travaux ultĂ©rieurs et indĂ©pendance (annĂ©es 2000 Ă  aujourd'hui) : Dans les annĂ©es 2000, FSOL a continuĂ© Ă  sortir de la musique de manière indĂ©pendante, en exploitant les plates-formes de distribution numĂ©rique. Ils ont explorĂ© divers styles, dont l'ambient, la techno et la musique Ă©lectronique expĂ©rimentale. RĂ©Ă©ditions numĂ©riques et sorties d'archives : Le duo a revisitĂ© son catalogue, rĂ©Ă©ditant et remasterisant des Ĺ“uvres antĂ©rieures pour les plates-formes numĂ©riques. Ils ont Ă©galement publiĂ© du matĂ©riel inĂ©dit, offrant aux fans un regard plus approfondi sur leur processus crĂ©atif. Exploration continue (annĂ©es 2010 Ă  aujourd'hui) : FSOL reste actif dans les annĂ©es 2010 et au-delĂ , sortant rĂ©gulièrement de nouvelles musiques. Ils ont adoptĂ© des techniques de production modernes tout en maintenant leur approche expĂ©rimentale et innovante du son. HĂ©ritage et influence : L'influence de FSOL va au-delĂ  de leur discographie. Ils sont reconnus pour leurs contributions Ă  la musique ambiante et Ă©lectronique, inspirant les gĂ©nĂ©rations d'artistes suivantes. Le parcours du Future Sound of London se caractĂ©rise par un engagement envers l'expĂ©rimentation, l'innovation et une volontĂ© de traverser des paysages musicaux divers, laissant une empreinte indĂ©lĂ©bile sur le genre de la musique Ă©lectronique.


  

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