馃敥 Made in USA - Vol.1
馃灖 The
birth of electronic music in the United States dates back to the 1950s and
1960s, where pioneers began experimenting with electronic technologies to
create new forms of sounds. Experimental Electronic Music at
Columbia-Princeton: In the 1950s, the Columbia-Princeton Electronic Music
Center in New York was a hub for experimentation with synthesizers and
electronic composition techniques. Composers such as Milton Babbitt and
Vladimir Ussachevsky worked on innovative electronic works. Bob Moog and the
Moog Synthesizer: Bob Moog's work in the 1960s on the development of the Moog
synthesizer was a major breakthrough. Musicians like Wendy Carlos used the Moog
to create iconic electronic recordings, such as the album "Switched-On
Bach" in 1968. Minimalist Music: Minimalist music, associated with
composers like Steve Reich and Philip Glass, emerged in the 1960s and 1970s.
While primarily acoustic, it influenced later electronic artists by emphasizing
repetition and gradual transformation of sonic patterns. Popular Electronic
Music in the 1970s: The 1970s saw the emergence of popular electronic music in
the United States. Groups like Kraftwerk, hailing from Germany, had a major
influence on the American music scene, inspiring artists like Devo and Gary
Numan. Hip-Hop and Sampling: In the 1980s, hip-hop in New York incorporated
sampling techniques, using samples of electronic, funk, and soul music.
Producers like Afrika Bambaataa helped popularize the use of synthesizers in
hip-hop. House and Techno in Chicago and Detroit: In the late 1980s, the house
and techno scenes emerged in Chicago and Detroit. DJs and producers like
Frankie Knuckles, Juan Atkins, and Derrick May played a crucial role in
developing these genres, influencing the global electronic scene. 1990s Rave
Culture: The rave culture of the 1990s, characterized by massive parties and
genres like trance and jungle, had a significant impact in the United States.
Artists like The Chemical Brothers and Moby contributed to popularizing electronic
music in mainstream culture. Evolution of Subgenres: Over the decades,
electronic music in the United States has continued to evolve with the
emergence of numerous subgenres such as drum and bass, dubstep, electro, and
trap, with each movement bringing its own influence and aesthetic to the scene.
The birth of electronic music in the United States is the result of a
combination of pioneering experiments, technological innovations, and diverse
influences that have contributed to shaping the rich and varied electronic
scene in the country.
馃灖 La naissance de la musique 茅lectronique aux 脡tats-Unis remonte aux ann茅es 1950 et 1960, o霉 des pionniers ont commenc茅 脿 exp茅rimenter avec des technologies 茅lectroniques pour cr茅er de nouvelles formes de sons. Musique 脡lectronique Exp茅rimentale 脿 Columbia-Princeton : Dans les ann茅es 1950, le Columbia-Princeton Electronic Music Center 脿 New York a 茅t茅 un foyer d'exp茅rimentation avec des synth茅tiseurs et des techniques de composition 茅lectronique. Des compositeurs tels que Milton Babbitt et Vladimir Ussachevsky ont travaill茅 sur des 艙uvres 茅lectroniques novatrices. Bob Moog et le Synth茅tiseur Moog : Le travail de Bob Moog dans les ann茅es 1960 sur le d茅veloppement du synth茅tiseur Moog a 茅t茅 une avanc茅e majeure. Les musiciens comme Wendy Carlos ont utilis茅 le Moog pour cr茅er des enregistrements 茅lectroniques embl茅matiques, comme l'album "Switched-On Bach" en 1968. Musique Minimaliste : La musique minimaliste, associ茅e 脿 des compositeurs tels que Steve Reich et Philip Glass, a 茅merg茅 dans les ann茅es 1960 et 1970. Bien que principalement acoustique, elle a influenc茅 des artistes 茅lectroniques ult茅rieurs en mettant l'accent sur la r茅p茅tition et la transformation graduelle des motifs sonores. Musique 脡lectronique Populaire dans les Ann茅es 1970 : Les ann茅es 1970 ont vu l'茅mergence de la musique 茅lectronique populaire aux 脡tats-Unis. Des groupes comme Kraftwerk, venus d'Allemagne, ont eu une influence majeure sur la sc猫ne musicale am茅ricaine, inspirant des artistes tels que Devo et Gary Numan. Hip-Hop et 脡chantillonnage : Dans les ann茅es 1980, le hip-hop 脿 New York a int茅gr茅 des techniques d'茅chantillonnage, utilisant des 茅chantillons de musique 茅lectronique, de funk et de soul. Des producteurs tels que Afrika Bambaataa ont contribu茅 脿 populariser l'utilisation de synth茅tiseurs dans la musique hip-hop. House et Techno 脿 Chicago et Detroit : 脌 la fin des ann茅es 1980, les sc猫nes house et techno ont 茅merg茅 脿 Chicago et 脿 Detroit. Des DJs et producteurs tels que Frankie Knuckles, Juan Atkins, et Derrick May ont jou茅 un r么le crucial dans le d茅veloppement de ces genres, qui ont ensuite influenc茅 la sc猫ne 茅lectronique mondiale. Rave Culture des Ann茅es 1990 : La culture rave des ann茅es 1990, caract茅ris茅e par des f锚tes massives et des genres comme la trance et la jungle, a eu un impact significatif aux 脡tats-Unis. Des artistes comme The Chemical Brothers et Moby ont contribu茅 脿 populariser la musique 茅lectronique dans la culture populaire. 脡volution des Sous-genres : Au fil des d茅cennies, la musique 茅lectronique aux 脡tats-Unis a continu茅 d'茅voluer avec l'茅mergence de nombreux sous-genres tels que la drum and bass, le dubstep, l'茅lectro, et la trap, chaque mouvement apportant sa propre influence et esth茅tique 脿 la sc猫ne. La naissance de la musique 茅lectronique aux 脡tats-Unis est donc le r茅sultat d'une combinaison d'exp茅rimentations pionni猫res, d'innovations technologiques et d'influences diverses qui ont contribu茅 脿 fa莽onner la riche et vari茅e sc猫ne 茅lectronique du pays.
│ PLAYLIST │
|
TAYLOR DEUPREE |
Mar |
Glitch Ambient |
00:00:48 |
|
|
JOHN CAGE / MARGARET LENG TAN |
Suite For Toy Piano - Mvt. 1 |
Contemporary Minimalism |
00:11:46 |
|
|
SUZANNE CIANI |
Glass Houses |
New Age Electronica |
00:13:18 |
|
|
PAULINE OLIVEROS |
The Roots Of The Moment III |
Minimalism Electronic Art Music |
00:18:10 |
|
|
MOONDOG |
Moondog Monologue |
Minimalism Avant-garde Jazz |
00:30:04 |
|
|
STEVE REICH |
Come Out |
Minimalism Contemporary |
00:38:29 |
|
|
BILL LASWELL |
Shadowline |
Ambient Dub Avant-Garde
Jazz |
00:51:25 |
|
|
LAURIE ANDERSON |
Tightrope |
Art-Pop Contemporary |
01:06:30 |
|
|
JARBOE |
Unreal |
Experimental Rock Psychedelic Folk |
01:12:28 |
|
|
PHILIP GLASS |
Where Everything is Music |
Minimalism Contemporary |
01:19:22 |
|
|
STEPHEN VITIELLO |
Rhodes track [FAFW] |
Glitch Ambient |
01:32:51 |
|
|
NINE INCH NAILS |
The Fragile [Wounded] |
Industrial Rock Electronic Rock |
01:39:04 |
|
|
SWANS |
Just A Little Boy |
Experimental Rock No Wave |
01:50:21 |
|
|
THE RESIDENTS |
Kaw-Liga [Prairie Mix] |
Art Rock Industrial |
02:07:01 |
|
|
WHITEHOUSE |
The Way It Will Be |
Power Electronics Harsh Noise |
02:16:32 |

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